“I see you,” he insisted, “don’t try to look the other way and pretend not to see me. You know who made you, little humbug!”

It was always my rôle to interpret Cupid’s sentiments in these conversations, and when my turn came I responded in such a manner, that Boris seized my arm and dragged me toward the pool, declaring he would duck me. Next instant he dropped my arm and turned pale. “Good God!” he said, “I forgot the pool is full of the solution!”

I shivered a little, and dryly advised him to remember better where he had stored the precious liquid.

“In Heaven’s name, why do you keep a small lake of that gruesome stuff here of all places?” I asked.

“I want to experiment on something large,” he replied.

“On me, for instance?”

“Ah! that came too close for jesting; but I do want to watch the action of that solution on a more highly organized living body; there is that big white rabbit,” he said, following me into the studio.

Jack Scott, wearing a paint-stained jacket, came wandering in, appropriated all the Oriental sweetmeats he could lay his hands on, looted the cigarette case, and finally he and Boris disappeared together to visit the Luxembourg Gallery, where a new silver bronze by Rodin and a landscape of Monet’s were claiming the exclusive attention of artistic France. I went back to the studio, and resumed my work. It was a Renaissance screen, which Boris wanted me to paint for Geneviève’s boudoir. But the small boy who was unwillingly dawdling through a series of poses for it, to-day refused all bribes to be good. He never rested an instant in the same position, and inside of five minutes I had as many different outlines of the little beggar.

“Are you posing, or are you executing a song and dance, my friend?” I inquired.

“Whichever monsieur pleases,” he replied, with an angelic smile.

Of course I dismissed him for the day, and of course I paid him for the full time, that being the way we spoil our models.

After the young imp had gone, I made a few perfunctory daubs at my work, but was so thoroughly out of humour, that it took me the rest of the afternoon to undo the damage I had done, so at last I scraped my palette, stuck my brushes in a bowl of black soap, and strolled into the smoking-room. I really believe that, excepting Geneviève’s apartments, no room in the house was so free from the perfume of tobacco as this one. It was a queer chaos of odds and ends, hung with threadbare tapestry. A sweet-toned old spinet in good repair stood by the window. There were stands of weapons, some old and dull, others bright and modern, festoons of Indian and Turkish armour over the mantel, two or three good pictures, and a pipe-rack. It was here that we used to come for new sensations in smoking. I doubt if any type of pipe ever existed which was not represented in that rack. When we had selected one, we immediately carried it somewhere else and smoked it; for the place was, on the whole, more gloomy and less inviting than any in the house. But this afternoon, the twilight was very soothing, the rugs and skins on the floor looked brown and soft and drowsy; the big couch was piled with cushions—I found my pipe and curled up there for an unaccustomed smoke in the smoking-room. I had chosen one with a long flexible stem, and lighting it fell to dreaming. After a while it went out, but I did not stir. I dreamed on and presently fell asleep.

I awoke to the saddest music I had ever heard. The room was quite dark, I had no idea what time it was. A ray of moonlight silvered one edge of the old spinet, and the polished wood seemed to exhale the sounds as perfume floats above a box of sandalwood. Some one rose in the darkness, and came away weeping quietly, and I was fool enough to cry out “Geneviève!”

She dropped at my voice, and, I had time to curse myself while I made a light and tried to raise her from the floor. She shrank away with a murmur of pain. She was very quiet, and asked for Boris. I carried her to the divan, and went to look for him, but he was not in the house, and the servants were gone to bed. Perplexed and anxious, I hurried back to Geneviève. She lay where I had left her, looking very white.

“I can’t find Boris nor any of the servants,” I said.

“I know,” she answered faintly, “Boris has gone to Ept with Mr. Scott. I did not remember when I sent you for him just now.”

“But he can’t get back in that case before to-morrow afternoon, and—are you hurt? Did I frighten you into falling? What an awful fool I am, but I was only half awake.”

“Boris thought you had gone home before dinner. Do please excuse us for letting you stay here all this time.”

“I have had a long nap,” I laughed, “so sound that I did not know whether I was still asleep or not when I found myself staring at a figure that was moving toward me, and called out your name. Have you been trying the old spinet? You must have played very softly.”

I would tell a thousand more lies worse than that one to see the look of relief that came into her face. She smiled adorably, and said in her natural voice: “Alec, I tripped on that wolf’s head, and I think my ankle is sprained. Please call Marie, and then go home.”

Chapter 16

0 Comments